Whose invisible city? Articulating Singapore’s pasts in Invisible City
Hong Lysa ‘In preparation/preparedness for being forgotten’, (beiwanglu, 备忘录 ) the Chinese title for Tan Pin Pin’s Invisible City (2007) involves an overlapping process, both bracing oneself for that...
View ArticleCensure and Censor
Loretta Chen An edited extract from the author’s PhD thesis, Contra-indications: Corporeality, Iconicity and Representation in Singapore Lesbian Theatre A recent media episode ignited much (on-line)...
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