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Whose invisible city? Articulating Singapore’s pasts in Invisible City

Hong Lysa ‘In preparation/preparedness for being forgotten’, (beiwanglu, 备忘录 ) the Chinese title for Tan Pin Pin’s Invisible City (2007) involves an overlapping process, both bracing oneself for that...

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Censure and Censor

Loretta Chen An edited extract from the author’s PhD thesis, Contra-indications: Corporeality, Iconicity and Representation in Singapore Lesbian Theatre A recent media episode ignited much (on-line)...

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